Ezra 1

The tune EVENTIDE is given fresh treatment that maintains the beauty of the original hymn. Written in 12/8, the flowing piano accompaniment establishes the mood for the entrance of the choir. Independent

The often-quoted Charles Wesley text is set here using the congregation as a central element of the music. First the phrases they sing are modeled by a soloist (or soprano section,)

This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each

This compelling hymn concertato weds the tune EARTH AND ALL STARS with a majestic text by Herbert Brokering. It is scored for SATB choir and organ with optional congregation. Optional parts for brass

Fourths and fifths in the melody and harmonization give this anthem a timeless strength, yet there is still tenderness as the text, based loosely on a text by Horatius Bonar, speaks of God's gentle grace.

This transcendent interpretation will leave you spellbound. The emotive power of the beloved hymn is skillfully brought out by the brilliant timbre of trumpets. Elevate your musical experience and let the

Based on the familiar melody, this is an engaging and lyrical chamber work for violin solo and piano, with optional strings and oboe.  It can be easily adapted for flute solo with several passages

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

This stirring setting of the well-known hymn by Charles Wesley will be meaningful to both choir and congregation. An independent organ accompaniment supports fine choral writing. The last verse soars with a

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

"O what are all my sufferings here compared to life above?" This Charles Wesley text is set to a sturdy tune by William Walker, compiler of shape-note books such as Southern Harmony. It celebrates our

Neil Harmon has created joyous new music, rhythmic and lively with 6/8 and 4/4 in alternation for this traditional carol text. The dance-like setting is full of infectious fun with nice key changes and

The well-known text by George Herbert is set here in a masterful way for choir and organ. "Let all the world in ev'ry corner sing" is one of the best-loved texts of the choral world, especially relevant